‘Disenchanted’ Review: Happily Ever After Isn’t Always The End Of A Story, But Sometimes It Should Be

Disenchanted' review

The follow-up to the popular Enchanted film from Disney, titled Disenchanted, debuted on Disney+ on November 18 at midnight. 15 years after the events of the previous movie, Giselle and Robert’s story is told in this one, although things aren’t quite as happy as they once were.

Several highly regarded authors, including J. David Stem, David N. Weiss, and Richard LaGravenese, collaborated to compose the story for the recently released film. The acclaimed musical theatre performer Adam Shankman directed the film Disenchanted, which was written by Brigitte Hales.

While well-known music composer Alan Menken provided music for Disenchanted, Simon Duggan acted as the Disney Plus film’s cinematographer. Barry Sonnenfeld, Barry Josephson, and Amy Adams all contributed to the film’s production.

Musical fans have been impatiently awaiting to see how the rom-com fantasy musical Disenchanted will play out ever since Disney+ unveiled the original trailer. Without further ado, let’s get started learning everything there is to know about Disenchanted before it premieres on Disney+.

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Where To watch Disenchanted?

When And Where To watch Disenchanted?

On Friday, November 18, 2022, Disenchanted will be published. The local time at which you can begin streaming the film will entirely depend on where in the world you are. Here is the movie’s release time in various time zones with that in mind:

  • 1:00 AM MT
  • 2:00 AM CST
  • 2:00 AM ET
  • 8:00 AM GMT

Audiences will now have the opportunity to watch Disenchanted sooner than they had originally planned because it will premiere on the streaming service Disney Plus. It has been moved up on Disney’s release timetable even though it was initially scheduled to debut around Thanksgiving weekend.

To view Disenchanted, you must have a Disney Plus membership. Even for people who have never joined up before, the service currently does not provide any free trials. The Disney Plus monthly package costs $7.99 per month, or $79.99 if you pay for the entire year at once.

Read More: Watch All Quiet On The Western Front On Netflix!

Disenchanted Cast

Who Are The Cast members Of Disenchanted?
ANAHEIM, CALIFORNIA – SEPTEMBER 09: (L-R) Patrick Dempsey, James Marsden, Idina Menzel, Gabriella Baldacchino, Yvette Nicole Brown, Jayma Mays, Maya Rudolph, and Amy Adams speak onstage during D23 Expo 2022 at Anaheim Convention Center in Anaheim, California on September 09, 2022. (Photo by Jesse Grant/Getty Images for Disney)
  • Amy Adams as Giselle
  • Patrick Dempsey as Robert Philip
  • James Marsden as Prince Edward
  • Idina Menzel as Nancy Tremaine
  • Gabriella Baldacchino as Morgan Philip
  • Maya Rudolph as Malvina Monroe

Disenchanted Storyline

What Is The Storyline Of Disenchanted?

After a decade has passed since Giselle (Amy Adams) found happiness, disenchanted catches up with her. She and her family are relocating from Manhattan to a new home in the Monroeville suburb with her husband Robert (Patrick Dempsey) and daughter Morgan (Gabriella Baldacchino), and she starts to doubt her own happiness.

She unintentionally creates a real-life fairy tale in the process, endangering the future of her family and the community as a whole. She is angry because finding her happily ever after wasn’t simple, the narrative continues.

She “turns to Andalasia’s magic for help” as a result. But by mistake, she turns their village into a “real-life fairy tale” and threatens the happiness of her family. It continues by saying: Giselle is currently in a race against time to break the spell and decide what true happiness means for her and her family.

It makes sense that Giselle and her family will find it difficult to adjust to their new suburban neighbourhood and magic, thus the transfer will not be simple for them. It will be exciting to see if Giselle can bring back the happiness for her and her family.

Disenchanted Review

Disenchanted Review

It appeared as though Disney was testing the waters when it produced Enchanted fifteen years ago to see if audiences were still interested in princess movies. Princesses were primarily featured in direct-to-video movies like The Little Mermaid II: Return to the Sea and Cinderella III: A Twist in Time because Disney hadn’t produced a significant princess movie in nearly ten years.

The live-action side of Disney was booming in the 2000s while the animation side was having trouble, thanks to movies like National Treasure, The Chronicles of Narnia: The Lion, the Witch, and the Wardrobe, and of course, the Pirates of the Caribbean series.

Disney turned to live-action with Enchanted, a vibrant, playful, and endearing update on the princess formula, to see if people still cared about princesses.

The movie both criticised and played with the traditional side of princess stories that Disney had dealt in for 70 years while reviving the future of Disney animated princess movies, which would eventually lead to movies like Frozen, Tangled, and The Princess and the Frog.

Even while the environment she lives in could be putting her good intentions to the test, she is still as bubbly as she was in 2007 as Giselle, the animated princess who is now a real-life person.

She and her husband Robert (Patrick Dempsey, the most 2007 casting imaginable) decide to move to the suburbs where life might more closely resemble a happily ever after because her stepdaughter has grown into a moody teenager and with the addition of a new baby, her New York City apartment has transformed from palace to dungeon.

To make the movie a little bit more exciting and theoretically effective than a fish-out-of-water comedy There are some forced, shoddy plotting that centre on a wishing wand and a wish that fails, transforming suburbia into a fairytale place, and it becomes a big-fish-in-a-small-pond one. Characters must then reflect on who they are and what they stand for in a fictional setting.

The husband must battle dragons, the daughter must find love, the local queen bee must ascend to the throne, and Giselle must resist the urge to take on the role of an evil stepmother by using some convoluted nonsense about a glowing clock.

The original’s sleek simplicity, which harkened back to the delights of a genre that saw its greatest hits in the 1980s with movies like Splash, Crocodile Dundee, Big, Working Girl, and Private Benjamin, provided breathing room that’s much tougher to come by here.

Brigitte Hales, who wrote the Once Upon a Time series, is responsible for the script’s crowded, clumsy first draught planning, which causes us to struggle to untangle it. Given the scarcity of live-action studio comedies geared at a younger audience, it would have been ideal, if overly ambitious, for the movie to stay in a less magical universe, focusing more on the struggles Giselle faces as she adjusts to suburban motherhood.

Her first encounters with Maya Rudolph’s charmingly snooty housewife have a fun fizz to them, and the family’s weariness with living outside of the city is sketched out but interestingly captured in the early scenes.

Things begin to progressively splutter after magic is introduced, the hows and whys rules seeming less clear-cut than they should, and the world being constructed with just one hand. While it keeps the first movie’s composer, Disney mainstay Alan Menken, the songs are all aggressively, at times embarrassingly, bad.

This may be due to director Adam Shankman, who may have a background in the genre as he has experience with musicals. The lyrics of one of the brassy attempts to get Idina Menzel to perform a Frozen-like song about the power of love are so sloppily written that one wonders whether it was an improvised tune.

The only song that grabs our attention is a duet between Adams and Rudolph. It adds some much-needed sharpness to some of the sentiment that is overly ladeled, and like many of the best scenes in the movie, it mainly depends on Rudolph’s ability to make a joke out of a fleeting expression.

She is the star of the movie, along with promising newcomer Gabriella Baldacchino, who plays the stepdaughter and impresses while also distracting Adams as her character stumbles towards villainy and regrettably veers into pantomime.

Disenchanted comes dangerously near to outstaying its welcome at a baggy, stretched-out two hours, but there’s just about enough charm to prevent it from living up to its name.

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I'm a 4th Year student of Architecture Undergraduate programme at Priyadarshini Institute of Architecture And Design Studies, Nagpur. During my studies, I have worked on multiple projects and these assignments have helped me to become a great team player and how to function well in fast paced and deadline driven environments. Some of interests are Sketching, listening and exploring old music, watching documentaries and being an architectural student I like to explore the conceptual angle of every element.

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